May 19, 2012

Florida Family Recognizes Four UM Degrees by Giving Back with Scholarship Endowment

The Emily and Larry Furlong Family
The Emily and Larry Furlong Family

University of Mississippi alumni Larry and Emily (Caldwell) Furlong spent much of their adult lives helping students in Florida’s Seminole County pursue college education through academic scholarships. Now, with the establishment of the Furlong Family Scholarship Endowment at Ole Miss, the Furlongs of Maitland, Fla., have widened their reach, providing an opportunity for undergraduate students from four states to attend their alma mater.

“My wife and I met at Ole Miss,” said Larry Furlong, vice president of sales with Old Republic National Title Insurance Company. “Both of our daughters graduated from Ole Miss. We’re an Ole Miss family, even though none of us are from Mississippi.”

The Furlong Family Scholarship Endowment provides financial assistance to undergraduate students enrolled in UM’s College of Liberal Arts. First preference will be given to students from Illinois, Florida, California and Nashville, Tenn.

“We are grateful to Emily and Larry Furlong for their deeply held commitment to providing educational opportunities to young people” said Glenn Hopkins, dean of liberal arts. “We are fortunate to have this family of graduates giving back to strengthen the College of Liberal Arts. It’s a reflection of their belief in the power of education and of their concern for others.”

A native of Chicago, Furlong had never set foot in Mississippi until he arrived at UM in 1968. “I thought I had landed on another planet,” he recalled. “It was so different from where I grew up. It took me a good semester to adjust. But once I got used to the pace and the culture, I just fell in love with it.”

Furlong, a political science major and Phi Kappa Theta fraternity member, soon fell in love with a classmate, too, after meeting Emily Caldwell, a Nashville native majoring in sociology and art. “We took a class together called Social Programs, so if that won’t seal a great marriage, nothing will,” she said.

Larry Furlong graduated in 1971, and she finished a year later. They married in 1973. Larry entered the title insurance business in 1978 with the help of one of his fraternity brothers. After the couple moved to Florida in 1980, he also enjoyed a 12-year stint in public service, including four years as a Seminole County Commissioner and eight years as a member of the Seminole County School Board.

“We’ve had a tradition of helping students with scholarships,” Emily Furlong said. “When Larry ran for office, he promised to give a portion of his salary back to the county for scholarships. We did that for 12 years and were able to help 72 students with more than $40,000 in one-time scholarships for college or vocational/technical school. It was very rewarding to help young people get an education.”

Philanthropy has also played a key role in Emily Furlong’s career. She serves as senior program manager for the Rollins College Philanthropy & Nonprofit Leadership Center, which provides education and management assistance to nonprofit and philanthropic organizations.

“Since we’ve always had a commitment to education, once we weren’t funding the local scholarships anymore, we decided to do something for our alma mater,” she said.

Both of the Furlongs’ daughters attended UM on scholarships, with older daughter Katie Ward earning degrees in theatre arts and broadcast journalism, while Mary graduated in history and anthropology. Ward is now an actress living in California with her husband and daughter, and Mary Furlong is earning a doctorate in anthropology at the University of Maryland.

“Their scholarships were a real boon to us financially, so this endowment was our way of giving back to the university for its generosity to our children,” Larry said. “We chose the College of Liberal Arts because all four of us were liberal arts majors. We decided to award the scholarships to applicants from the states where we were originally from or where we had lived the longest.”

The Furlongs also helped found the Central Florida Ole Miss Alumni Club in the early 1980s and have served as club officers throughout the years. Additionally, Larry is working to restart a PKT chapter at Ole Miss. The couple returns to Oxford for football games and other events whenever possible. “It’s hard to have a bad time there,” Emily Furlong said.

The Furlongs encourage others to consider supporting UM.

“It’s an opportunity to invest in the future of Mississippi and our country by investing in the lives of some incredible young people,” Emily Furlong said. “We’re always impressed with how many Ole Miss alumni are spread throughout the country. Anywhere you go, you’ll hear someone saying, ‘Hotty Toddy!’ By helping these students, you’re not just investing in Lafayette County; you’re investing in the world because there are Ole Miss Rebels everywhere.”

Larry Furlong agreed, adding, “If you give someone clothes or a meal, that’s great, and it helps in the near term. But if you can help give someone an education, that will benefit them for a lifetime.”

The Furlong Family Scholarship Endowment is open to receive gifts from individuals and organizations by sending a check with the fund noted to the University of Mississippi Foundation, P.O. Box 249, University, MS 38677; by visiting www.umfoundation.com/makeagift; or by contacting Denson Hollis at 662-915-5092 or dhollis@olemiss.edu.

Rick Hynum

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Exhibit of Southern Folk Art at UM Museum Through July 13

Mattie Codling, a junior at the University of Mississippi, curated the latest exhibit of Southern folk art as part of her internship at the UM Museum.

“How We Worked, Played and Prayed: An Exhibition of Southern Folk Art” is on display from through July 13, highlighting the works of 43 well-known and not-so-well-known folk artists from across the Southeast.Codling, an art history and anthropology major from Starkville, said she is proud of the work she did for her first professional internship.

“‘How We Worked, Played and Prayed’ features several wonderful works that represent the very core of the artists’ lives, from religious scenes to everyday images of the people and places,” she said. “These works are visually appealing, but also act as a documentation of Southern culture from the late 19th and 20th centuries.”

Codling thoroughly researched each artist for the exhibition.

“I wanted to pick works that showed their raw interpretation of life, love, fun, work and even religion,” she explained. “It was truly wonderful to have a hand in redoing the folk art exhibition – to give these pieces a unified tone to be appreciated by visitors.”

Emily Dean, program coordinator, praised Codling’s work.

“The museum could not function without the hard work and dedication of our many interns from a variety of departments at the University of Mississippi,” Dean said.

“This exhibition is an exemplary showcase of Mattie’s hard work as an intern, provides fresh insight into interpreting the museum’s collection of Southern folk art and is a visual testament to the wonderful partnerships we enjoy as part of the University of Mississippi. We look forward to sharing this wonderful exhibition and accomplishment with the Oxford community.”

UM Museum is at the intersection of University Avenue and Fifth Street. For more information, visit http://museum.olemiss.edu or call Emily Dean at 662-915-7073. For assistance related to a disability, call 662-915-7084.

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Public Invited to Molten Metal Pour at New Art Department Foundry Fri., Oct. 28

The Rebel Sculpture Society invites anyone interested in sculpture and metalwork to watch metal casting at the new foundry at the University of Mississippi Department of Art.

Starting at noon Oct. 28, sculpture students will be pouring molten bronze and aluminum into their project molds. The event will be in the foundry area of the sculpture department, accessible through Room 10 in the basement of Meek Hall. Pizza and refreshments will be available.

If interested, spectators can come early and make small scratchblocks to be used as molds for relief sculptures. Scratchblocks must be finished by 1 p.m. in order to be poured.

“The previous facility was shared with metal fabrication, where quarters were extremely cramped,” said Durant Thompson, head of the sculpture emphasis. “Ventilation, safety and student work space are greatly increased with the creation of the new foundry.” [Read more...]

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Public Invited to Molten Metal Pour at New Art Department Foundry Oct. 28

OXFORD, Miss. – The Rebel Sculpture Society invites anyone interested in sculpture and metalwork to watch metal casting at the new foundry at the University of Mississippi Department of Art. Starting at noon Oct. 28, sculpture students will be pouring molten bronze and aluminum into their project molds. The event will be in the foundry area of the sculpture department, accessible through Room 10 in the basement of Meek Hall. Pizza and refreshments will be available. If interested, spectators can come early and make small scratchblocks to be used as molds for relief sculptures. Scratchblocks must be finished by 1 p.m. in order to be poured. “The previous facility was shared with metal fabrication, where quarters were extremely cramped,” said Durant Thompson, head of the sculpture emphasis. “Ventilation, safety and student work space are greatly increased with the creation of the new foundry.” The contracted work for the foundry building, wall and outside work area was completed in late 2010 and handed over to the art department. Last April, the furnace installation was completed and the furnace made its first test run. “The facility is still undergoing upgrades but should be fully operational by March 2012, when the kiln and iron furnace will also be up and running,” Thompson said. Thompson described the pouring process. “Solid bronze or aluminum ingots are heated with gas and air to a temperature of about 2,000 degrees in the furnace. Once heated the molten metal is taken from the furnace in a crucible to a waiting mold. The metal is then poured into mold cavities of various designs. When cooled, the molds are opened to reveal the solidified metal in the shape of the new design.” The foundry fulfills a longtime dream for the art department. “We are now one of the few art departments in the country that has a foundry, and because of that, we are now drawing more undergraduate and graduate students to our school,” said Sheri Fleck Rieth, chair and professor of art. “The Department of Art would like to thank the administration in the College of Liberal Arts, Dr. Glenn Hopkins, Dr. Ron Vernon and Dr. Holly Reynolds, for their support of the building of the foundry. Also, thanks should go to Mr. Chad Hunter and Mr. Ian Banner for their thoughtful work and guidance with plans and construction.” MFA students with an emphasis in sculpture said they are excited about the event. “I’m glad to be a part of bringing foundry work back to the university. It’s been a while since this has been available, and Durant has done a great job getting things in place,” said Jake Weigel, a graduate assistant/instructor from Marshfield, Wis. “Metal pours are always hard work, but lots of fun. I’m expecting a successful pour with lots of people, food and hot metal.” “I am extremely excited about the new foundry,” said Lily Stover, a senior from Biloxi. “It’s a great addition to the art department. Before its construction, the classes would have to plan elaborate trips to other schools with foundries. Now we can host our own pours. I’m positive our next pour will be a success.” For more information, visit the Department of Art, or call 662-915-7513.

Stan O’Dell Unveils Enchanting Women in his Art

The women emerge from the mist, intertwined with flowers, and glide through the wind. These enchanting women are the subjects of the newest paintings from Oxford-based figurative artist Stan O’Dell. In his show Les Femmes Enchanteur, opening Oct. 4 at Southside Gallery in Oxford, O’Dell celebrates the beauty, grace and mystery of women.

The title to Stan O'Dell's Painting is Cirque

O’Dell is well known for his paintings of women in intriguing settings, but these newest paintings depict women more secretive and mystifying than ever before.  ”Women can convey endless varieties of moods and emotions through a look, a gesture or a posture,” O’Dell said. “When I paint, I am attempting to capture the mystery and intrigue of the woman, and let the viewer imagine the story behind the setting.”

O’Dell specializes in painting and drawing the human figure, usually from live models.  His aim is not to create an exact portrait of the person, but rather to capture an essence of the mood, gazes and gestures. He then imbues the scene with imaginative and mystical auras.  Viewers often comment that it seems as if O’Dell’s paintings gaze into the soul and emotions of the women.

There’s a good reason. For 25 years, he was a psychologist. O’Dell walked away from that career to follow his college dream of becoming an artist. O’Dell earned an undergraduate degree in psychology with a minor in studio art from Drury College in Springfield, Mo. His Ph.D. in clinical psychology came from Nova University in Fort Lauderdale, Fla.

In 1975, O’Dell began teaching psychology at the University of Mississippi. He became nationally known as an expert on parenting and later earned the highest certification in psychology, a diplomate. He retired from being a professor in 2001. [Read more...]

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Alumna in October Martha Stewart Weddings Magazine

Associate Professor in Art Virginia Chavis and Erin Raspberry Napier

Alumna Erin Raspberry Napier is in the October issue of Martha Stewart Weddings magazine,  for her business Lucky Luxe, letterpress invitations. Erin’s blog features comments and photos about about speaking to Professor of Art Ginny Chavis’ Letterpress class during the August 2011 Intersession.

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Art Crawl Returns to Oxford

Tonight the Oxford Art Crawl is bringing together art and culture, featuring unique works of art from St. Louis, Ocean Springs and University of Mississippi art students.

The art shows change every month. Wayne Andrews, the executive director of the Yoknapatawpha Arts Council, said a record-setting gallery show is premiering at the Powerhouse at 6 p.m., an hour before the Art Crawl starts. The show, by Katherine Rhodes Fields, mixes parody and 1970s images from Playboy magazine with food and photography that can be scratched and sniffed.

“Some call it porn, some call it art and some call it just plain crazy,” Andrews said.
The art is only appearing at the Powerhouse for one night, as it is on loan from St. Louis. Fields, a visiting assistant art professor in printmaking, has artwork in the Mississippi Museum of Art in Jackson and a contemporary art gallery in St. Louis.

“The thought for doing the Art Crawl was that we were scheduling all these art receptions and we were competing against each other, so we decided to schedule our events together and make it a much bigger event,” Andrews said.

“We hoped that more people would discover all the different art venues and people would come in from out of town, which has worked. We had 200 people per Art Crawl come out and restaurants have been donating food.”  

Double-decker buses will run through four main stops: the University Museum, Southside Gallery, the Powerhouse and Gallery 130 (in Meek Hall). Students can park at any of the four locations and hop on and off the bus. It will run in a continuous circuit.

Students who are 21 and older can enjoy cocktails at various locations and free beer provided by Coors; Old Venice will also be giving away free slices of pizza.

The Oxford Art Crawl is completely free for students. The reception prior to the Art Crawl is at the Powerhouse starting at 6 p.m.

The Art Crawl is held every fourth Tuesday of the month and was started this past April by a partnership between the Oxford Tourism Council, the university and the Yoknapatawpha Arts Council.
“You know the great thing is you can park, hop on the double decker, go to a couple of stops and go back to the Square for a drink or dinner,” Andrews said.

“It’s a great way to start your evening, and since Friday and Saturday nights are booked, why not go out on a Tuesday? Everyone should come; it’s definitely art and culture.”

Work from UM art students will be featured at the Powerhouse from 7 p.m. to 9 p.m. and the University Museum houses an exhibit featuring work by Walter Anderson, a wildlife artist from Ocean Springs.

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Oxford Art Crawl Back by Popular Demand

What was supposed to be a seasonal event has become monthly due to popular demand.

The Oxford Art Crawl kicked off this past March and was set to return in August, but requests have brought it back sooner than expected.

Wayne Andrews, executive director of the Yoknapatawpha Arts Council, said that the event got a lot of positive feedback and the sponsors and hosts received multiple requests to bring it back early.

“The venues that were participating got calls, we’ve gotten calls and people have said, ‘Hey, that was a lot of fun, why can’t we do it in the summer?’ So we’re going to give it a try and see what happens,” Andrews said. [Read more...]

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Three Liberal Arts Faculty Recognized for Teaching Excellence, Concern for Students

(l to r) Katherine Fields, Beth Ann Fennelly, and Eric Thomas Weber

Three outstanding faculty members in the University of Mississippi’s College of Liberal Arts have been selected as top teachers and awarded $1,000 prizes and engraved plaques.

The 2010-11 honored faculty and their awards are Beth Ann Fennelly, associate professor of English, Outstanding Teacher in the College of Liberal Arts; Eric Thomas Weber, assistant professor of public policy leadership, Cora Lee Graham Award for Outstanding Teaching of Freshmen; and  Katherine Fields, instructor of art, Outstanding Instructor in the College of Liberal Arts.

The selection process involved nominations from students and fellow faculty, which were considered by a committee of former recipients based on criteria that includes excellence in class instruction, intellectual stimulation of students and concern for students’ welfare. [Read more...]

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Art Student’s Thesis Presentation Explores Internal Chaos

In a studio on the third floor of Meek Hall Liz Rathbone is feverishly stroking a blank canvas that will soon be the culmination of her art education in preparation for her final thesis presentation.

It’s after 10 p.m. when we meet. Liz works better at night, she says. I am greeted with a young woman wearing ultra-flared jeans something perhaps circa 1970. The jeans are covered in every color of paint under the rainbow and a white t-shirt colored the same.

Her brush strokes appear to be completely out of control, yet completely thought out. Every color placed exactly where she wants it and every shadow highlighting the features of her four giant self-portraits.

Liz’s recent success as an artist has led her to host three art shows before graduating college. Rathbone has showed her work both in Memphis and Oxford.

“Liz has come such a long way as an artist,” Ole Miss Art Dept. Chair Sherie Reith- Fleck said. “Although it has taken a ‘village’ to get to this point she has finally made it and what she has given us is absolutely beautiful.”

Each canvas is roughly five ft. by five ft. at the smallest. On them are paintings of Rathbone in somewhat awkward positions that reflect the feeling of loneliness and solitude. On others, Rathbone’s face appears much larger than life.

In all of the works there is a common theme throughout. A brightly colored bold stripe about 12 inches in width pierces through different parts of Rathbone’s body stretching from side to side.

Downstairs sitting on the concrete sidewalk in front of the art building that appears to have been built around the same time of her bell-bottom jeans we begin to converse.

We start from the beginning, the simple where are you from and so on and so forth. The Baton Rouge native lets me know that before Ole Miss she had never had a formal art class.

“I never felt like I had a natural ability to art,” Rathbone says. “Everything I’ve made has been learned.”

“In my first art classes, I noticed that I was taking a different approach to art than my peers,” she says.

Rathbone’s early work was mostly portraits of notable figures in history. One of her paintings hangs on the wall of Meek Hall, it is a portrait of an African-American man possibly a soul singer that is in the middle of his hallelujah in the hues of purple and black.

“For a Bachelor of Fine Arts the student must present their work in front of a juried panel made up of the Fine Arts faculty and staff and defend their work to be given the go ahead for their thesis dissertation,” Reith-Fleck says.

Rathbone had quite a bit of trouble with this first step.

“My thesis was denied twice,” Rathbone says. “The professors told me that the ‘chaotic’ brush strokes that I make are just as important as the person I am painting. The brush strokes tell a story that might not relate to the story of the subject.”

Rathbone took the criticism and found a new direction for her final dissertation. She needed her pieces to say something about herself, something more personal. The result is what she calls the ‘external forces that control my internal chaos.’

I wanted to inquire more about this ‘internal chaos’. Rathbone begins telling me about her childhood and specifically the ticks that she had to cope with growing up.

“When I was thinking of what I could paint for my thesis, self-portraits were the first thing to come to mind,” Rathbone says. “I needed to figure out how to make them all about me not just paintings of myself.”

“I got the idea of painting the stripes through myself at places on my body that I used to tick.”

“The ticks are gone now and that’s the reason for the calm, painterly-like strokes that go straight trough me and the chaotic almost messy stokes that fill the rest of my body,” Rathbone says.

“After doing this series it has given me a feeling of release,” Rathbone says.

“It’s been a long journey for Liz,” adjunct assistant professor of art Cory Lewis says.  “Once she figured out what she wanted to say it was like being shot out of a cannon. I think that energy shows up in the paintings.”

Through hardship Rathbone has found inspiration. With the likes of other up and coming artists Rathbone has joined the ranks of artists to watch. Her alternative gracefulness has led her to a style of work that is different than others, but commands attention from all.

“The paintings give me goose bumps,” Lewis says. “I am so excited for Liz and her future.”

Liz’s plans after college are to continue to pursue art and make a name for herself in a world that is cutthroat and challenging.

“I feel that this series is really about me and I am thankful that I was pushed and urged to explore myself deeper and express that to the viewer,” Rathbone says.

Liz’s thesis exhibition will be up in Meek Hall at Gallery 130 during May 4th – 6th. The reception is Thursday at 7 p.m.

From DM by Philip Harrison

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