May 23, 2013

UM Officials Work to Develop Community as Arts Mecca

New Chancellor’s Fund for the Arts will help bring artists to campus to teach and perform

Chancellor Dan Jones and a passionate group of supporters are advancing the reputation of the University of Mississippi as a cultural arts hub with consultation from one of the nation’s leading figures in contemporary music.

Through a series of salons and special events, the university is raising private support for the new Chancellor’s Fund for the Arts. To spearhead the effort, acclaimed pianist Bruce Levingston has been appointed special adviser on the arts to Jones.

Alumni and friends have responded with $50,000 in initial gifts to build an endowment for an artist-in-residence program, much like the existing John and Renée Grisham Writers-in-Residence program. Just as prominent writers like Tom Franklin, Jack Pendarvis and National Book Award-winner Jesmyn Ward have enriched the Ole Miss-Oxford community with their presence, mentored promising students and elevated the national profile of the creative writing program, stewards of the Chancellor’s Fund for the Arts envision visiting artists and musicians achieving notoriety for all UM arts.

Levingston, a native of Cleveland, Miss., is directing his energies to the initiative.

“In addition to establishing artists-in-residence, the goal is to reach out in a truly interdisciplinary way,” he said. “We want to establish a pattern of bringing interesting and relevant artists and thinkers to Ole Miss, but also to send a little bit of Ole Miss and Oxford back with them – to share with the rest of the world what’s happening here, cultivated by Oxford’s enterprising arts community.”

The effort comes a year after the Mississippi Development Authority and the Mississippi Arts Commission released a joint study on the economic impact of artists and creative enterprises. The report attributes more than 60,000 Mississippi jobs to the creative economy and concludes that the arts increase productivity, stimulate innovation and growth, improve learning and generate wealth across sectors.

“You can look around our campus and Oxford and visibly see the impact that our decades-long cadre of writers have had on education and our economy,” Jones said. “We are known throughout the world for William Faulkner, Willie Morris, Ellen Douglas, Barry Hannah and Larry Brown. Scholars come to Ole Miss from Japan, Germany and elsewhere to study our writers – we can make that true of all our artistic disciplines, and benefit our students magnificently in the process.”

Levingston brings a wealth of experience to his role at UM. As founding chair and artistic director of the nonprofit foundation Premiere Commission Inc., he commissions and premieres new works by young artists and composers, helping to promote burgeoning talent to the national stage. Many of the world’s most important composers have written works for him, and his Carnegie Hall and Lincoln Center performances have won notable critical praise.

Levingston is helping the university prepare, raise money and heighten awareness of its artists. Thus far, he has coordinated several events, such as a lecture by Robert Storr, renowned art historian and dean of the Yale School of Art, as well as a performance by the popular string quartet Brooklyn Rider. He also facilitated the Honors College and the Department of History’s recent hosting of Ron Chernow, a Pulitzer Prize-winning biographer and commentator on American politics, business and finance, to interact with students and community members.

“It means a great deal to me to be here,” Chernow said while visiting campus. “I have found this not only an extremely enlightening visit but also very moving. History is the oxygen that’s in the air here – how could any historian not be stimulated?”

Philip Jackson, an acclaimed contemporary realist painter and a UM assistant professor of art, emphasized the impact of private support.

“If not for an Ole Miss alumnus’ generous lending of his private collection, we would not be bringing renowned American realist painter Bo Bartlett to campus,” Jackson said. Bartlett’s upcoming exhibition, curated by Jackson, will be at the University Museum through July 13, and Bartlett will lecture at 3 p.m. April 25 and lead a panel discussion at noon April 26, both at the museum.

Jackson is inspired by the new energy the initiative brings.

“Our visual arts tradition – artists like Glennray Tutor, Jere Allen and others – is not yet as strongly received as our literary tradition,” he said. “We have also recruited highly celebrated artists to our faculty: Matt Long is a potter known all over the country, Durant Thompson’s sculptures have been commissioned by several famous Americans, photographer Brooke White recently returned from a Fulbright Fellowship to India, I could keep going. When people make these connections, the reverence and support will be there.”

Inaugural events to undergird the Chancellor’s Fund for the Arts have been held, with additional events and salons slated for Oxford, Jackson, New York, Houston and Boston. A recent event at the home of Ambassador John Palmer in Jackson featured Levingston showcasing selections from Chopin, Rachmaninoff and Schubert. Guests enjoyed dinner prepared by James Beard-nominated chef and Ole Miss alumnus Taylor Bowen-Ricketts of the Delta Bistro in Greenwood.

Palmer was inspired to support arts education, and especially to support Levingston and his new program at Ole Miss.

“Over the years, I have developed friends who are alumni of Princeton and other top schools,” Palmer said. “Their knowledge of works by great composers and artists always impressed me – and they learned it during their general undergraduate studies, not as arts majors. A vibrant arts community is a must for good quality of life. This is especially true for our students who will have this as part of their foundation.”

Donors and university leaders believe the initiative will help showcase talented UM students and highlight the cultural activities of the Ole Miss community.

“We always come to Oxford for the annual Pride of the South Benefit Concert at the Ford Center and bring friends,” said one of the fund’s donors, who wished to remain anonymous. “I want my friends across Mississippi to know about the musical and artistic talent our young students have. They work hard to cultivate their talents, and I want to encourage them and establish more opportunities for learning and apprenticeship. This effort has a lot of potential if we all support it.”

Levingston has other collaborations in the works with UM faculty and departments: a film project with screenwriter Chris Offutt, a commissioned work on civil rights with the Southern Foodways Alliance at the Center for the Study of Southern Culture and a partnership with the schools of Law and Business Administration.

“These interdisciplinary collaborations will raise arts and humanities awareness not only in the university community but also around the state and the nation,” Levingston said.

The Chancellor’s Fund for the Arts is open for contributions from individuals and organizations. Contributions can be made by mailing a check with the fund noted in the memo line to the University of Mississippi Foundation, P.O. Box 249, University, Miss. 38677-0249; visiting online at www.umfoundation.com/makeagift/; or contacting Sarah Hollis, associate director of university development, at 662-915-1584 or shollis@olemiss.edu.

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Historic Preservationist Visits UM for Lecture

Joseph McGill to speak April 10 about historic slave dwellings

Joseph McGill Jr.

Joseph McGill Jr.

Historic preservationist Joseph McGill Jr. is set to visit the University of Mississippi on Wednesday (April 10).McGill, a program officer for the National Trust for Historic Preservation who works in the Southern Office in Charleston, S.C., is responsible for the states of Alabama, Louisiana and South Carolina.His lecture, “Behind the Big House: My 41 Nights in Slave Dwellings,” which chronicles his stays in the homes of former enslaved persons in several states, will be at 3 p.m. in the Tupelo Room of Barnard Observatory, home of the Center for the Study of Southern Culture. The event is free and open to the public.

McGill is also a tour guide for the Holly Springs 75th Annual Pilgrimage Tour of Historic Homes.

“I met Joseph McGill in South Carolina after I heard about his slave dwelling project,” said Jodi Skipper, assistant professor of anthropology. “He stays overnight in slave dwellings to bring attention to their existence and to urge their historic preservation. As a historic preservationist, I admire his innovative way of highlighting these overlooked structures, while bringing attention to the enslaved families who lived there.”

McGill is also the founder of Company “I” 54th Massachusetts Reenactment Regiment in Charleston. The 54th Massachusetts Volunteer Infantry was the regiment portrayed in the award-winning movie “Glory.”

“This tour was meant to help compensate for a lack of narratives about enslaved populations on the Holly Springs pilgrimage tours,” Skipper said. “It is my hope that McGill’s talk will bring much needed awareness to a broader range of our local antebellum sites. I hope that the audience will get a better sense of the lives of enslaved communities and the worlds they built, in addition to how important the preservation of slave dwellings is to all of our histories.”

McGill’s visit is sponsored by the Center for the Study of Southern Culture and the UM Department of Sociology and Anthropology.

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Southern Studies Center Hosts Second Music of the South Symposium

April event includes brown bag luncheon, panel discussions, lectures and performance

Valerie June

Valerie June

Continuing the exploration of Southern musicians and their craft, the Center for the Study of Southern Culture at the University of Mississippi is hosting its second annual music conference next month.“Innovation and Experimental Music and the South” is the theme of the 2013 Music of the South Symposium, set for April 3-4 and supported in part by the Future of the South Endowment in partnership with the Gertrude C. Ford Center for the Performing Arts. The discussion sessions are free, and the public is invited to hear graduate students, faculty and independent scholars share research on the culture, meaning and practices surrounding music in and from the American South.

“The conference is a combination of musicians and music scholars,” said Ted Ownby, CSSC director. “Academic talks, panel discussions, films about music and live music performances are all part of the event.”

Topics to be addressed include how innovative music originates in the South, situations in which the South’s established and much-celebrated musical genres – such as jazz, blues, country, rock ‘n’ roll, rap, bluegrass and gospel – make it difficult for people to make innovative music, when and why musical innovators choose to leave the South, or come to the South, or use those established genres as a basis for innovation.

The opening day (April 3) events scheduled include a display and discussion of materials from the Field School for Cultural Documentation at 10 a.m. inside the Blues Archive of UM’s J.D. Williams Library. A noon brown bag luncheon featuring Jim Market and Mark Neill discussing “A History of Southern Recording Studios” will be held in the Tupelo Room of Barnard Observatory. Neill produced the Black Keys’ 2010 album “Brothers” with the band at Muscle Shoals Sound Studio in Alabama.

Following the brown bag lecture, a series of panel discussions are scheduled in the Blues Archive. Speakers, topics and times are Beth McKee and Suzi Mills, “Southern Roots Music and Swamp Sista Culture” at 1 p.m.; Valerie June, Jake Fussell and Dent May, “Musicians Talking Music” at 2:30 p.m.; and Clay Motley, Jesse Wright and Scott Barretta, “Music and Cultural Tourism” at 3:15 p.m. Malcolm White and Tricia Walker will discuss “Music and the Creative Economy” at 4 p.m. in the Overby Center.

A Music of the South Concert featuring Valerie June begins at 7 p.m. April 3 in the Ford Center. Tickets are $10 at the UM Box Office, 662-915-7411 or online. Music performances at various venues on the Oxford Square begin at 9:30 p.m. and round out the evening.

Symposium activities resume Thursday (April 4) with Kaitlyn Vogt, Alan Harrelson and Mel Lassetter discussing “Popular Musicians and Southern Tradition” at 9 a.m. in the Blues Archive. Tyler Keith’s film “Jesus is My Rock” and performances by African-American gospel quartets follow at 10:30 a.m. Afternoon events in the Blues Archive include a 1 p.m. session and performance by Jennifer Ritter Guidry and members of the band Feufollet; Ben Sandmel and Charles Hughes discussing “Creativity and Its Sources” at 2 p.m.; Keith Fudge and DeLisa D. Hawkes speaking about “Race, History and Music in the South” at 3 p.m., and Alison Fensterstock, Holly Hobbs and Matt Sakakeeny talking about “New Orleans Hip-Hope and Bounce” at 4 p.m.

Climaxing the conference are a special edition of “Thacker Mountain Radio” at Off Square Books at 6 p.m., a beverage and food tasting hosted by the Yoknapatawpha Arts Council at 7 p.m. and more music performances in various venues on the Square beginning at 10 p.m.

The conference brings together the interests of the Southern studies program, Living Blues magazine, “Highway 61″ radio show, the Blues Archive and the Ford Center, Ownby said

“Studying music and making music have been crucial to the center’s history,” Ownby said. “This event should be both fun and smart, and we hope everyone involved or interested in the center will come, whether they make music, write about it or listen to it. The theme about innovation and creativity is broad, but it’s a question that matters to a lot of people who get frustrated by the idea that what we think of as Southern music needs to be old music. We want to think about how innovation happens.”

View a complete schedule of events.

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Southern Studies Center Hosts Second Music of the South Symposium

April event includes brown bag luncheon, panel discussions, lectures and performances

Valerie JuneValerie June

Continuing the exploration of Southern musicians and their craft, the Center for the Study of Southern Culture at the University of Mississippi is hosting its second annual music conference next month.

“Innovation and Experimental Music and the South” is the theme of the 2013 Music of the South Symposium, set for April 3-4 and supported in part by the Future of the South Endowment in partnership with the Gertrude C. Ford Center for the Performing Arts. The discussion sessions are free, and the public is invited to hear graduate students, faculty and independent scholars share research on the culture, meaning and practices surrounding music in and from the American South.

“The conference is a combination of musicians and music scholars,” said Ted Ownby, CSSC director. “Academic talks, panel discussions, films about music and live music performances are all part of the event.”

Topics to be addressed include how innovative music originates in the South, situations in which the South’s established and much-celebrated musical genres – such as jazz, blues, country, rock ‘n’ roll, rap, bluegrass and gospel – make it difficult for people to make innovative music, when and why musical innovators choose to leave the South, or come to the South, or use those established genres as a basis for innovation.

The opening day (April 3) events scheduled include a display and discussion of materials from the Field School for Cultural Documentation at 10 a.m. inside the Blues Archive of UM’s J.D. Williams Library. A noon brown bag luncheon featuring Jim Market and Mark Neill discussing “A History of Southern Recording Studios” will be held in the Tupelo Room of Barnard Observatory. Neill produced the Black Keys’ 2010 album “Brothers” with the band at Muscle Shoals Sound Studio in Alabama.

Following the brown bag lecture, a series of panel discussions are scheduled in the Blues Archive. Speakers, topics and times are Beth McKee and Suzi Mills, “Southern Roots Music and Swamp Sista Culture” at 1 p.m.; Valerie June, Jake Fussell and Dent May, “Musicians Talking Music” at 2:30 p.m.; and Clay Motley, Jesse Wright and Scott Barretta, “Music and Cultural Tourism” at 3:15 p.m. Malcolm White and Tricia Walker will discuss “Music and the Creative Economy” at 4 p.m. in the Overby Center.

A Music of the South Concert featuring Valerie June begins at 7 p.m. April 3 in the Ford Center. Tickets are $10 at the UM Box Office, 662-915-7411 or online. Music performances at various venues on the Oxford Square begin at 9:30 p.m. and round out the evening.

Symposium activities resume Thursday (April 4) with Kaitlyn Vogt, Alan Harrelson and Mel Lassetter discussing “Popular Musicians and Southern Tradition” at 9 a.m. in the Blues Archive. Tyler Keith’s film “Jesus is My Rock” and performances by African-American gospel quartets follow at 10:30 a.m. Afternoon events in the Blues Archive include a 1 p.m. session and performance by Jennifer Ritter Guidry and members of the band Feufollet; Ben Sandmel and Charles Hughes discussing “Creativity and Its Sources” at 2 p.m.; Keith Fudge and DeLisa D. Hawkes speaking about “Race, History and Music in the South” at 3 p.m., and Alison Fensterstock, Holly Hobbs and Matt Sakakeeny talking about “New Orleans Hip-Hope and Bounce” at 4 p.m.

Climaxing the conference are a special edition of “Thacker Mountain Radio” at Off Square Books at 6 p.m., a beverage and food tasting hosted by the Yoknapatawpha Arts Council at 7 p.m. and more music performances in various venues on the Square beginning at 10 p.m.

The conference brings together the interests of the Southern studies program, Living Blues magazine, “Highway 61″ radio show, the Blues Archive and the Ford Center, Ownby said

“Studying music and making music have been crucial to the center’s history,” Ownby said. “This event should be both fun and smart, and we hope everyone involved or interested in the center will come, whether they make music, write about it or listen to it. The theme about innovation and creativity is broad, but it’s a question that matters to a lot of people who get frustrated by the idea that what we think of as Southern music needs to be old music. We want to think about how innovation happens.”

View a complete schedule of events.

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Books, Authors, Reading Celebrated at Oxford Conference for the Book

Former UM writers-in-residence gather for 20th anniversary

For those who love getting lost in a good book, discussing the role of storytelling or hearing authors read from their latest novel, the Oxford Conference for the Book offers something for everyone.

On March 21-23, the conference celebrates 20 years of bringing together writers, journalists, poets, publishers, teachers, students and literacy advocates, who will gather to talk about a range of topics relevant to the written word. With the exception of three meals/social events, all programs, including panels, talks and signings, are free and open to the public.

University of Mississippi graduate and author Ralph Eubanks, director of publishing at the Library of Congress in Washington D.C., will give the opening talk “Of Books and Libraries: Why Libraries, Publishing and Storytelling Still Matter” at noon March 21 in the Archives and Special Collections room on the third floor of the J. D. Williams Library.

“The Oxford Conference for the Book is like an intimate literary salon rather than a big, sprawling book festival,” Eubanks said. “Although I love the National Book Festival, sponsored by the Library of Congress, it is sometimes a challenge to interact with the authors who attend the festival in any meaningful way. I would encourage anyone who values close interactions with writers, as well as fellow readers and students of literature, to attend the Oxford Conference for the Book.”

During his talk, Eubanks plans to walk the audience through the role of the publisher as a storyteller, so that people can consider the role of libraries in new ways.

“I firmly believe that in the digital age, storytelling is the most important work of an editor and publisher,” said Eubanks, whose most recent work, “The House at the End of the Road: The Story of Three Generations of an Interracial Family in the American South,” was released in paperback by the University Press of Mississippi in November 2011.

“Stories are the way people arrange and recount experiences to the world so that others will listen attentively and perhaps learn something. As director of publishing at the Library of Congress, I find that thinking about what I do in terms of being a storyteller allows me and my staff to make sense of the vast collection of items – now 150 million items, not including books – that are held in our collections.”

Other Thursday panels, held at the Overby Center for Journalism and Southern Politics, include Writing at the University at 1:30 p.m., moderated by Tom Franklin, UM assistant professor of fiction writing, and Writing Southern Grit Lit at 4 p.m., moderated by Kathryn McKee, UM associate professor of Southern studies and English.

Ted Ownby, director of the Center for the Study of Southern Culture, said one of the greatest things about the Oxford Conference for the Book is the way it brings together people who otherwise wouldn’t be in the same place for the same conversation.

“It is a unique combination of scholars and poets and journalists and novelists, people in publishing and children’s literature and book-selling and lots of readers,” Ownby said. “I like how it brings together better-known writers with newer writers and people with large audiences and those of us who write for tiny audiences. I’m excited to see authors I already love, like Ron Rash, Jill McCorkle, Alice Randall and Ralph Eubanks, and I’m looking forward to seeing people who will be completely new to me.”

On Friday at the Gertrude C. Ford Center for the Performing Arts, a young readers’ program is planned for fifth- and ninth-graders, who have been reading Jewell Parker Rhodes’ novel “Ninth Ward” and Mary Amato’s novel “Guitar Notes.”

Other Friday and Saturday panels at the Overby Center include readings by Kristopher Jansma and Owen King; examining recent civil rights movement books; literacy and the language barrier; and music biographies. Book signings are slated for Square Books.

Eubanks, who has been involved in previous conferences as both a panel member and an attendee, said his favorite part is the panels.

“I learn so much from the presenters and because of the size of the conference, the conversation continues after the panel is over,” he said. “I always get great questions from the audience … , but I always have more in-depth discussions one-on-one with participants after my panel, often huddled in a hallway and at events through the weekend.”

Ownby agreed, and said some panels will bring together people who already know each other, while others are with people who will have just met.

“There are two panels with authors who contributed to collections, one on eco-poetry and one on Grit Lit,” Ownby said. “But then the panel I’m moderating on Saturday pairs a professor of Slavic languages and a New Orleans music writer, both talking about their books on Southern musicians and their place in the world.”

The Mississippi Delta Cultural Tour, also hosted by the Center for the Study of Southern Culture, is set for March 17-20.

View a complete schedule online or on Facebook.com/OxfordConferencefortheBook.

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Museum Exhibit Captures Faulkner’s Mythical Landscape on Film

Collection by French photographer opens with panel discussion March 5

This photograph of a little girl is among Alain Desvergnes’ images included in ‘Portraits as Landscapes, Landscapes as Portraits: Yoknapatawpha County in the 1960s’ at the University of Mississippi Museum.

Photographs depicting the fictional Yoknapatawpha County, shot in the 1960s by former University of Mississippi faculty member Alain Desvergnes, will be on display beginning Tuesday (March 5) at the University Museum.

The University of Mississippi Museum is exceptionally pleased to present the Yoknapatawpha photographs of French photographer Alain Desvergnes, and to welcome this artist back to northern Mississippi more than 45 years after he captured these compelling images,” said Robert Saarnio, museum director. “Alain’s photographs convey a time and a place both distant and strikingly familiar to those of us who live here, and we eagerly anticipate the opportunity to hear from him about this fascinating project.”

In conjunction with the exhibition, a panel discussion with Desvergnes is slated for 5-6 p.m. Tuesday at the museum. The discussion will be moderated by Ted Ownby, director of the Center for the Study of Southern Culture, and also features William Griffith, curator of Rowan Oak, and Jay Watson, Howry Chair in Faulkner studies and professor of English.

The opening reception, set for 6-8 p.m. Thursday (March 7), will include the artist and his wife. The exhibit will remain on display at the museum through Aug. 17.

Desvergnes was born in 1931 in the Périgord region of France. After studies in journalism and sociology and stints as a reporter and art critic, he lived in North America for 19 years. From 1963 to 1965, he was an assistant professor at UM, where he read the works of William Faulkner and fell in love with the mythical Yoknapatawpha County. Inspired by Faulkner’s words, Desvergnes sought to photograph Yoknapatawpha County, documenting both its beauty and its sorrow, which was visually unknown in Europe.

“I went to photograph William Faulkner’s landscapes in Mississippi, in order to find there the characters that make appearances in his novels, to sketch the portrait of these figures who’d fascinated me and who I constantly encountered when walking through his lands,” Desvergnes said. “Between reality and fiction, a microcosm of landscapes took shape, which I saw as portraits, as did a microcosm of portraits, which I saw as landscapes. I had imagined them like improvised palimpsests where an image superimposes itself on another to fit in differently so as to flirt or struggle with the original image.”

The University Museum is at the intersection of University Avenue and Fifth Street. Hours are 10 a.m.-6 p.m. Tuesdays-Saturdays. General admission to this special exhibition is $5, $4 for seniors and $3 for students ages 6-17. Admission is free for UM students, UM Museum members and children under 5. Special group rates are available. To book a tour, contact esdean@olemiss.edu.

For more information, visit the University Museum website or call 662-915-7073.

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Southern Studies Brown Bag Lunch & Lecture Series Wed., Feb. 6

On Wednesday, February 6, Joseph Thompson discusses ”I Won’t Be Reconstructed’: Confederate Memory in Popular Culture’. Joseph Thompson is a Southern Studies Graduate Student. The event is open to the public.

The Brown Bag Luncheon Series takes place each Wednesday at noon in the Barnard Observatory Lecture Hall during the regular academic year. For more information, contact cssc@olemiss.edu or 662-915-5993. For assistance related to a disability, contact: cssc@olemiss.edu or (662)915-5993

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Lineup for 20th Oxford Conference for the Book Announced

Event targets variety of audiences with free sessions that are open to the public

The Oxford Conference for the Book, held at the University of Mississippi, will celebrate its 20th year on March 21-23.

“Oxford is a town of book lovers, but one with several distinct audiences: the academic community at the university, those interested in literary fiction, a vibrant group interested in writing for children and young adults, and several others,” said Becca Walton, associate director of projects at the Center for the Study of Southern Culture. “We work to provide sessions that are both generally appealing but also targeted to those groups. Now in its 20th year, the conference will continue to grow while being mindful of its diverse audience.”

Over the course of three days, writers, journalists, poets, publishers, bloggers, teachers, students and literacy advocates will gather to talk about a range of topics relevant to the written word. With the exception of three meals/social events, all programs, including panels, talks and signings, are free and open to the public. Author Ralph Eubanks, director of publishing at the Library of Congress and a UM graduate, will give the opening talk at noon March 21 on “Of Books and Libraries: Why Libraries, Publishing and Storytelling Still Matter.”

“We like to engage authors who have recently published or will publish books in the spring, such as M.J. O’Brien’s forthcoming book on the Jackson sit-in movement, forthcoming anthologies on Southern ‘grit lit’ and eco-poetry, and a fascinating biography by Vladimir Alexandrov of a black Mississippian who emigrated to Russia in the early 20th century,” Walton said. “Appalachian writer Ron Rash will talk about his new book ‘Nothing Gold Can Stay.’

“We’re also building on past conferences. For many years we’ve had an engaging talk on literacy issues, and this year we continue that but focus on a specific element: English as a learned language.”

The idea to discuss writing and the university came from a longtime friend of the conference. The concept shapes two of the panels, including a conversation between past and current Grisham Writers-in-Residence and a discussion on teaching in an academic environment while also working as a creative writer.

The Mississippi Delta Cultural Tour, also hosted by the Center for the Study of Southern Culture, is set for March 17-20.

Sponsors include the Center for the Study of Southern Culture, Square Books, Media and Documentary Projects, the departments of English and History, J.D. Williams Library, African American Studies Program, Sally McDonnell Barksdale Honors College, John and Renée Grisham Visiting Writers Fund, Barksdale Reading Institute, Sarah Isom Center for Women, the schools of Education and Journalism and New Media, Junior Auxiliary of Oxford, Lafayette County-Oxford Public Library, Lafayette County Literacy Council, Mississippi Hills Heritage Area Alliance and the Southern Literary Trail.

For a complete schedule visit http://oxfordconferenceforthebook.com/ or Facebook.com/OxfordConferencefortheBook.

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Feders’ $100,000 Gift to Support Oxford Conference for the Book

Ron and Becky Feder, at right, with Ted Ownby of UM's Center for the Study of Southern Culture
Ron and Becky Feder, at right, with Ted Ownby of UM’s Center for the Study of Southern Culture

As native Mississippians, Ron and Becky Feder grew up steeped in the folkways of the American South. But it took an extended stay in the faraway Philippines to help them truly appreciate the extraordinary-and decidedly unique-culture of their homeland.

The Feders have been giving their money and time to the study and preservation of Southern culture ever since. Most recently, the couple provided a gift of $100,000 to the University of Mississippi’s Center for the Study of Southern Culture (CSSC) to support the Oxford Conference for the Book (OCB). It’s one of many such gifts to UM over the years from the Feders, who also previously gave $100,000 to the CSSC’s Music of the South Endowment.

“A gift like this is pretty extraordinary, both because it is such a big help to the Oxford Conference for the Book and also because it makes it much easier to plan for the future of the Conference,” said CSSC director Ted Ownby. “The funds will pay a lot of the travel expenses of the speakers and allow the conference to attract the diverse group of people-writers and publishers and agents and others-that make the OCB such a unique event.”

Becca Walton, the OCB’s director and associate director for projects at the CSSC, agreed. “We so appreciate the Feders’ gift, as it demonstrates an enduring interest in the power of the written word to bring diverse people together for meaningful discussion. With a firm foundation made possible through gifts like the Feders’, the conference is growing and will continue to reach new audiences eager for a discussion of the common experience of reading.”

Born and raised in Vicksburg, Ron Feder graduated from Ole Miss in 1973 with a bachelor’s degree in political science. There, he met Becky, his future wife appealed to her to move cross-country when he joined the U.S. Air Force in 1974. “Since I couldn’t live without her, I suggested she finish her degree elsewhere and come with me to California, where I was stationed,” he recalled.

The two married in 1975, lived for a while in the Washington, D.C. area, then returned to Oxford when Feder enrolled in the UM School of Law.

“It was during law school that I learned that the CSSC had been formally established a year earlier,” Feder said. “Becky and I did not really pay attention at that time because, well, we figured we knew enough about Southern culture because we had been living it most of our lives. It was not until we journeyed 9,000 miles to the Philippines, on the far edge of the Western Pacific, that we realized the peculiar wonder of Southern culture.”

Having rejoined the Air Force as a judge advocate upon graduating from law school in 1981, Feder found himself stationed, along with Becky and their children, at Clark Air Base in the Philippines during the tumultuous last years of President Ferdinand Marcos’ administration. The island nation, he noted, “was not exactly the tropical paradise that we had envisioned.”

Fortunately, the Feders got to enjoy the blues-tinged sounds of home once a week when the Armed Forces Broadcast Network started carrying the “Highway 61″ radio program, created by the CSSC and its former director Bill Ferris. “That’s when the Center became important to Becky and me and literally forced us to choose between a career that could take us all over the world or a return to sweet home Mississippi,” said Feder, who ultimately devoted 34 years to active and reserve Air Force service, including a four-month tour of duty in Baghdad in 2006.

They chose Mississippi, of course, and Feder soon settled into a successful private law practice in Ocean Springs. After buying a second home in Oxford in 2001, the couple reached out to CSSC associate director Ann Abadie and offered assistance where it was needed most.

“She told me about the Conference for the Book, and we made our initial ten-year commitment to that program in 2002,” Feder said.

“We recently renewed for another ten years because we appreciate the great work the conference has done over the years, celebrating the lives and works of great southern writers like Eudora Welty, Walker Percy, Flannery O’Connor, Larry Brown and Barry Hannah.”

An avid reader of both fiction and nonfiction, Feder says he doesn’t have any one favorite writer, but he and his wife are both fans of UM’s fiction writing professor and author Tom Franklin

As chair of the CSSC’s advisory board, Feder urges his fellow Southerners to support its programs, such as Music of the South and the Southern Foodways Alliance. Too many denizens of the South “don’t appreciate southern culture as something unique or special,” he said. “They enjoy life down here and just don’t ponder the hows or the whys.”

Feder considers the CSSC as one of UM’s flagship programs and one that truly distinguishes it from other colleges and universities in this country. After all, as the Feders began to realize during their time in the Philippines, the American South, although it continues to endure, may not always prevail.

“We could see that it was slowly homogenizing into the larger, blander American culture,” he recalls. “How wonderful, we thought, that the CSSC is documenting and studying the hows and whys of the South’s cultural landscape before it all disappears into the larger American melting pot.”

The Center for the Study of Southern Culture is open to receive gifts from individuals and organizations by sending a check to the University of Mississippi Foundation, P.O. Box 249, University, MS 38677, or contacting Nikki Neely at 662-915-6678 or nlneely@olemiss.edu, or by visiting online www.umfoundation.com/makeagift.

Rick Hynum

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Music of the South Series Continues with Randall Bramblett

Popular Southern singer-songwriter to perform Nov. 13

Popular Southern singer-songwriter to perform Nov. 13

Randall Bramblett

The Music of the South series, which highlights intimate evenings with Southern performers at the University of Mississippi, continues Tuesday (Nov. 13) with Randall Bramblett.

A partnership between the university’s Center for the Study of Southern Culture and the Gertrude C. Ford Center for the Performing Arts, the Music of the South Concert Series is set for 6 p.m. in the Ford Center’s Studio Theater, which has a capacity of 150 people.

Tickets are available for $10 through the University of Mississippi Box Office, 662-915-7411, and at the door.

“The first concert in the Music of the South series had an excellent crowd for the show by Caroline Herring,” said Ted Ownby, director of the Center for the Study of Southern Culture. “The goals of the series, offering good and creative music at an early-evening event in a setting where people can be close to the performer, all seemed to work out exceptionally well.”

Bramblett is a Georgia native who has been a sought-after songwriter and multi-instrumentalist sideman over the years. He has played with Traffic, Sea Level, the Allman Brothers Band and numerous other bands. Growing up with James Brown as a hero, Bramblett learned to write and play music that cuts across multiple genres.

“The music Randall Bramblett plays helps us think about a pretty wide range of music with roots in the South: rock and soul especially, and also jazz, gospel and the blues,” Ownby said. “He’s a thoughtful songwriter, and he’s a great musician who plays multiple instruments and has played with lots of extraordinary people.”

Bramblett’s solo career began in the mid ’70s with two critically acclaimed albums on Polydor Records and continues with his releases on New West Records. His talent as a songwriter is well-documented, and his songs have been recorded by Bonnie Raitt, Widespread Panic, Jorma Kaukonen, Delbert McClinton and more.

With a large body of work to his credit, Randall’s songwriting and band are getting as much attention as his musicianship with other top players. At the Ford Center, he will be performing a solo show, singing and playing keyboards.

For more information or for assistance related to a disability, call 662-915-2787.

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